Levi’s® names Alia Bhatt as Global Brand Ambassador to lead women’s denim evolution

Mumbai – Levi’s® has appointed Alia Bhatt as its new Global Brand Ambassador, marking a major push to strengthen the brand’s presence in women’s denim and lifestyle categories. The move aligns a heritage name in denim with one of India’s most influential cultural figures, reinforcing Levi’s® shift toward style-led, comfort-first fits across key markets. The partnership comes at a time when women’s fashion is embracing a fundamental shift. Relaxed fits, wide legs, and looser silhouettes are no longer seasonal trends but wardrobe staples. Levi’s®, long synonymous with defining denim culture, is positioning itself at the forefront of this evolution, with Alia leading the charge. “For me, a pair of jeans is never just a pair of jeans – it’s something you live in and make your own,” Alia said. “Our relationship with denim is so personal, but it also connects us all. Across countries and generations, denim is about celebrating who you are. Levi’s® has always been at the heart of this global movement, and I’m thrilled to now be part of it.” The collaboration will see Alia front campaigns across digital and retail channels, reflecting everyday versatility and trend-forward dressing. The strategy emphasizes refreshed classics, wide-leg silhouettes, and fit innovation to match changing consumer preferences. Hiren Gor, MD, South Asia-Middle East and Africa, Levi Strauss & Co., said:“Alia Bhatt’s influence transcends film and fashion—she shapes conversations. As we grow our women’s portfolio and lead the shift towards expressive, style-led, comfort-first fits, Alia brings cultural credibility and style authority. Together, we’re reinforcing Levi’s® as the most relevant and desirable denim brand.” Looking ahead, Levi’s® plans to sustain momentum with new silhouettes and reengineered classics, balancing timeless denim heritage with contemporary style relevance. The brand sees Alia Bhatt as a catalyst for driving demand across retail partners, omnichannel storytelling, and global consumer engagement.

Inspector Zende review: Manoj Bajpayee grounds a witty, retro cat-and-mouse thriller

International conman Carl Bhojraj (Jim Sarbh) breaks free from prison and resurfaces in Mumbai, reigniting a tense cat-and-mouse chase. On his trail is Inspector Madhukar Zende (Manoj Bajpayee), whose grit and instincts make him the only man capable of cornering the elusive fugitive before his web of deceptions spirals into chaos. Crime thrillers inspired by real-life criminals are hardly new to Indian cinema. Charles Sobhraj—the infamous “Bikini Killer”—has long fascinated filmmakers, from Main Aur Charles (2015) to Netflix’s The Serpent (2021). Inspector Zende, however, flips the perspective, shining the spotlight on the unsung hero who caught him: Mumbai’s IPS officer Madhukar Bapurao Zende. A chase through 1970s–80s Mumbai Set against the gritty yet vibrant backdrop of the 1970s and ’80s, the film dramatizes Zende’s pursuit of Bhojraj, a fictionalized Sobhraj. Twice, Zende managed to apprehend the fugitive—first in 1971 and again after the sensational 1986 Tihar Jail escape. Rather than dwelling on darkness, the narrative celebrates street-smart policing in a pre-digital era—before CCTV cameras and forensic databases, when instinct and persistence were a cop’s strongest weapons. Writer-director Chinmay D. Mandlekar wisely avoids the trappings of a brooding biopic. Instead, he crafts a 112-minute period adventure laced with humour and warmth. His recreation of Mumbai’s streets, fashion, and restless energy feels authentic, giving the film a nostalgic appeal while keeping it briskly paced. Performances power the film The beating heart of Inspector Zende is its performances. Manoj Bajpayee plays Zende with earthy simplicity and quiet authority, steering clear of loud heroics. He gives the cop a humane core—pragmatic, witty, and unpretentious. While echoes of The Family Man occasionally surface, Zende is firmly his own man. Opposite him, Jim Sarbh has a ball as Bhojraj. Smooth, magnetic, and unnervingly charming, his flamboyance makes the fugitive as compelling as the cop tailing him. Supporting turns from Sachin Khedekar (as DGP Purandare) and Girija Oak (as Zende’s wife Viju) flesh out the world, with Oak and Bajpayee’s warm chemistry balancing the chase with domestic tenderness. A family-friendly thriller? Where Inspector Zende distinguishes itself is in tone. Instead of brooding intensity, it embraces levity, almost positioning itself as a family-friendly crime thriller. This choice will split audiences—purists may find the humour softens the edge of real crimes, while others will welcome its lighter, more accessible approach. Verdict Neither a rigid biopic nor a fictional caper, Inspector Zende walks a middle path: part homage to a forgotten police hero, part entertaining retro thriller. It may not please all crime purists, but it earns its place with strong performances, a lively tone, and a lovingly detailed recreation of a bygone Mumbai. ⭐ Rating: 3.5/5

Lokah: Chapter 1 – Chandra emerges as a sleeper hit, Priyanka Chopra joins in praise

Ever since its release on August 28, Lokah: Chapter 1 – Chandra has been making waves at the box office. Despite a modest promotional campaign, the film turned into a sleeper hit driven by strong word-of-mouth. In just eight days, it collected ₹52 crore across India. The film, initially released in Malayalam and Telugu with limited Tamil shows, has now expanded to Hindi, widening its reach. Priyanka Chopra’s shoutout Actor Priyanka Chopra took to Instagram to hail Lokah, calling it “India’s first female superhero film.” Sharing the film’s poster, she wrote: “India’s first female superhero is here. Congratulations Dulquer Salmaan and the entire team of Lokah. This story has already been winning hearts in Malayalam, and now it’s out in Hindi too. P.S. Added it to my watchlist already! Have you?” Producer Dulquer Salmaan reshared the post, thanking her: “OMG! Thank you! This support means the world to our whole team of Lokah!” Earlier, Alia Bhatt had also praised the film for its “fresh blend of mythic folklore and mystery.” Box office & reach Reception & controversies Lokah is now the third-highest-grossing Malayalam film of 2025, after Prithviraj Sukumaran’s L2: Empuraan and Mohanlal’s Thudaram. However, it faced backlash over a dialogue perceived as demeaning to women, especially from Karnataka, and for allegedly portraying Hindus negatively. Following protests, Wayfarer Films, Dulquer’s banner, issued an apology and removed the dialogue.

Baaghi 4 review — all muscle, very little method

Baaghi 4 is less a film than a stunt reel stitched together: Tiger Shroff’s Ronny exists to fight, bleed, break bones and do it shirtless. Beyond that simple promise, the movie offers a thin, often bewildering story, flamboyant production design and a handful of odd pleasures. The plot (such as it is) follows Ronny — now a onetime Defence Sea Forces man — who’s obsessed with Alisha (Sandhu), the impossibly versatile beauty who may or may not be real. His brother Deepu (Talpade) provides comic-relief poverty and dubious housing, Olivia / Pratishtha (a wasted Bhumi Pednekar?) plays the prostitute-with-a-heart, and Heather-style carnival-Mad-Max worldbuilding places them all in “Chandara”, a fantasy locale where carnivals, beaches and mountain vistas sit next to masked funerals. Sanjay Dutt’s self-styled “shaitaan” is the film’s big-name thunderbolt: velvet jackets, tigers-as-pets and maniacal laughs. He’s scenery-chewing in the way the film asks its stars to be — big, loud and immediately legible. There are a handful of genuinely arresting visual moments (the film’s carnival and set pieces have a lurid, comic-book bravado), and the action choreography will satisfy viewers who come purely for the physical thrills. But narrative logic is constantly optional. Alisha’s improbable mansion, the one-off appearances of dozens of “fostered” children, and the repeated deus-ex machina beatdowns stretch credulity into parody. The film mistakes repetition of violence for escalation — just when you think the stunt has peaked, it jumps higher and keeps going. The attempts at emotional stakes (a woman in peril; a brother’s loyalty) are undercut by a screenplay that habitually prefers the next fight to any character work. Tonally, the movie oscillates between melodrama, cartoon villainy and forced gravitas — often within the same scene. That volatility produces odd, occasionally entertaining moments: surprising reversals, an over-the-top line like “I will marry you Chaakoo,” and the delightfully absurd sight of Ronny taking tender pauses mid-pendulum-hang. But these are flashes rather than foundations. Verdict: Baaghi 4 delivers on spectacle and stuntcraft for fans who want a nonstop action carnival. For anyone hoping for a coherent story, believable relationships or emotional depth, it will feel hollow and repetitive. It’s a film that keeps surprising you — mostly because it refuses to stop.

The Conjuring: Last Rites review – an old-fashioned ghost story with chilling flair

The Warrens return one last time in The Conjuring: Last Rites, a chilling installment rooted in faith, family, and one of the demonologists’ most terrifying cases. Plot Opening in 1961, the film sets the tone with Lorraine Warren’s (Madison Lawlor) terrifying vision of a malignant entity inside a mirror — a moment that coincides with the near-death birth of her daughter, Judy. Born with her mother’s clairvoyant gift, Judy grows up under Lorraine’s tutelage, while Ed (Orion Smith/Patrick Wilson) and Lorraine (Vera Farmiga) balance their faith with their paranormal calling. By 1986, the couple has retired due to Ed’s health, but their daughter Judy (Mia Tomlinson) — now a young woman engaged to ex-cop Tony (Ben Hardy) — finds herself drawn back into the supernatural when the Smurl family of Pennsylvania encounters a malevolent presence linked to a cursed mirror. When daughters Heather (Kíla Lord Cassidy) and Dawn (Beau Gadsdon) attempt to destroy the object, the evil escalates, culminating in one of the film’s most grotesque moments: Dawn vomiting shards of glass in a torrent of blood. The Smurls’ plea for help is ignored by both media and church, until Father Gordon (Steve Coulter) summons the retired Warrens — whose family connection compels them to face the diabolic force. Performances & Craft Tone & Style Unlike modern splatter-horror, Last Rites leans into its old-world charm — vintage costumes, VHS tapes, oversized spectacles, and even a subplot where Heather deciphers evil through grainy video footage. The film blends gentle transgression and grotesque imagery, offering enough gore without losing its gothic restraint. Verdict The Conjuring: Last Rites doesn’t reinvent the haunted mirror trope, but it delivers what fans expect: faith battling the forces of hell, grounded by family bonds and classic scares. While not the scariest entry in the franchise, it feels like a fitting, if formulaic, swan song for the Warrens’ saga — a comforting ghost story wrapped in vintage dread. ⭐ Rating: 3.5/5

The Bengal Files review: Vivek Agnihotri escalates rhetoric with Partition lens

By [Your Publication] After the sweeping success of The Kashmir Files, director Vivek Agnihotri returns with another politically charged narrative in The Bengal Files, a film that seeks to connect Partition-era politics with present-day allegations of minority appeasement. Storyline The film follows IPS officer Shiva Pandit (Darshan Kumar, reprising his role from The Kashmir Files), tasked with investigating the disappearance of a tribal girl in Murshidabad. His probe runs into resistance from local MLA Sardar Hussaini (Saswata Chatterjee), whose political dominance is protected by what the film portrays as decades of minority appeasement rooted in Partition politics. Shiva’s confrontation with Hussaini brings to the surface buried memories of Partition violence, narrated by Bharti Banerjee (Simrat Kaur/Pallavi Joshi). Her testimony links past suffering to contemporary politics of vote banks, illegal migration, and community polarisation. Performances and Symbolism Darshan Kumar leads with a grounded performance, while Saswata Chatterjee delivers a menacing turn as the power-hungry MLA. Pallavi Joshi provides emotional heft, and Namashi Chakrabarty makes an impactful debut alongside his father Mithun Chakraborty, whose cameo underlines the ideological thrust. Agnihotri employs the motif of “Mother India” as a recurring symbol, drawing a direct line between Partition wounds and current debates on national identity. Narrative Choices and Criticism Blind Spots Agnihotri’s gaze largely omits the ordinary Muslim household devastated by Partition violence, instead casting blame on the entire community for the actions of leaders like Suhrawardy. The film also takes liberties with historical detail, such as Suhrawardy addressing young Mujibur Rahman as “Mujibur” instead of “Mujib,” and Hussaini’s son aspiring to be “the first minority PM” — overlooking the tenure of Manmohan Singh. Verdict At three hours, The Bengal Files is emotionally charged, dramatically staged, and ideologically unrelenting. For its supporters, it will be seen as a bold truth-telling exercise. For its detractors, it is an exercise in selective history, emotional manipulation, and communal provocation. Either way, Agnihotri has sharpened his craft, raised the stakes, and ensured that this film, like its predecessor, will remain at the centre of India’s cultural and political debate.

Vivek Agnihotri Appeals to Mamata Banerjee Not to Ban The Bengal Files

Filmmaker Vivek Agnihotri has appealed to West Bengal Chief Minister Mamata Banerjee not to impose a ban on his upcoming film The Bengal Files. Stressing that the film should be judged on its artistic value rather than political implications, Agnihotri highlighted the importance of freedom of expression as a cornerstone of democracy. In a video message shared on social media, he directly addressed the West Bengal CM, urging her to see the film as part of a larger national conversation rather than through a regional lens. He insisted that audiences must have the freedom to form their own opinions about the film’s content. Alongside the video, Agnihotri wrote: “URGENT: An open appeal to Hon’ble CM @MamataOfficial. Please listen till the end and share widely as your protest against the banning of a film on Hindu Genocide. #TheBengalFiles In cinemas 05 September 2025 (sic).” His plea comes amid rising demands to ban the film in West Bengal, which also resulted in the cancellation of its trailer launch and press events in Kolkata. The Bengal Files depicts the events of the Great Calcutta Killings of 1946, including Direct Action Day and the Noakhali riots. The film features a prominent ensemble cast including Anupam Kher, Mithun Chakraborty, Darshan Kumar, Simrat Kaur, Namoshi Chakraborty, and Pallavi Joshi. Speaking to IndiaToday.in, Agnihotri said, “It’s very important that I make this film, make the younger generation aware, enlighten them. And also, the entire community gets to express a generational trauma.” Reflecting on his earlier work, The Kashmir Files, Agnihotri compared his role as a filmmaker to that of a psychiatrist for Indian society. “Acknowledgement of the trauma is the first step towards healing. With The Kashmir Files, Kashmiri Pandits told me my film started their healing. So yes, you can say I’m a filmmaker-psychiatrist,” he remarked with a laugh. The Bengal Files is scheduled for release on September 5, 2025.

Dwayne Johnson Breaks Down in Tears as The Smashing Machine Earns 15-Minute Standing Ovation at Venice

Dwayne Johnson, popularly known as The Rock, was moved to tears at the Venice Film Festival after his film The Smashing Machine received a thunderous 15-minute standing ovation. The biographical drama, in which Johnson portrays legendary ’90s fighter Mark Kerr, left both the actor and the audience deeply emotional following its screening. Johnson, visibly overwhelmed, was joined on stage by his co-star Emily Blunt and director Benny Safdie. The real Mark Kerr, who was also present, shared in the touching moment as the audience applauded the raw and heartfelt storytelling. Fans further electrified the evening by greeting Johnson with his iconic wrestling catchphrase: “Can you smell what The Rock is cooking?!” Critics have praised Johnson for stepping away from his usual blockbuster persona to deliver a transformative performance. Nearly unrecognisable under prosthetics, he immersed himself in Kerr’s turbulent journey. “This is the kind of storytelling that’s raw and real,” Johnson told Variety, reflecting on the experience. Emily Blunt also shone in her role as Dawn Staples, Kerr’s girlfriend, adding emotional depth to the narrative. The A24 release, scheduled to hit theatres in November, is already generating strong Oscar buzz, with many suggesting it could redefine Johnson’s career. The powerful reception drew comparisons to Brendan Fraser’s emotional comeback with The Whale at Venice in 2021, hinting at a similar awards-season trajectory for Johnson. With Kerr himself witnessing the audience’s outpouring of appreciation, the film’s debut was not only cinematic but profoundly personal. As the Venice Film Festival continues, The Smashing Machine has firmly positioned itself as one of the most talked-about films, marking a pivotal moment in Dwayne Johnson’s evolution as an actor and a serious awards contender.

Salman Khan Seeks Lord Ganesha’s Blessings Amid Tight Security

Bollywood superstar Salman Khan paid a special visit to the residence of Maharashtra’s Cultural Affairs Minister, Ashish Shelar, on Monday night to seek blessings from Lord Ganesha. Known for his heartfelt devotion to Ganesh Chaturthi, Salman arrived barefoot, dressed simply in a checkered shirt and blue pants. Despite the grandeur of the occasion, his humble presence stood out. Viral videos captured the Bajrangi Bhaijaan actor offering prayers with folded hands, exuding serenity even as a massive security detail surrounded him. Salman has been under Z+ security protection in recent months, with authorities closely monitoring his public and private movements. Yet, his calm and composed demeanor during the Ganpati Darshan highlighted his genuine spiritual connection. Just a few days earlier, Salman was seen participating in Ganpati Visarjan celebrations with his family and close friends. Videos from the event showed him dancing energetically alongside Arpita Khan Sharma, Sonakshi Sinha, Aayush Sharma, and Zaheer Iqbal. Fans widely praised his ability to remain grounded and fully enjoy the festivities despite the heavy security presence. On the professional front, Salman is currently working on Battle of Galwan, an action film directed by Apoorva Lakhia and co-starring Chitrangada Singh. The movie promises to showcase his action-packed persona once again. Alongside his film commitments, he continues to host Bigg Boss 19 Weekend Ka Vaar episodes, entertaining audiences with his trademark wit and charisma. Although his recent release Sikandar underperformed at the box office, Salman Khan remains one of Bollywood’s most beloved stars. His larger-than-life screen image, paired with moments of humility and faith during festivals like Ganesh Chaturthi, continues to win the hearts of millions.

Janhvi Kapoor Approached for Chaalbaaz Remake

Janhvi Kapoor has been making headlines lately, first with her performance in Param Sundari alongside Sidharth Malhotra, and then with the teaser of Sunny Sanskari Ki Tulsikumari co-starring Varun Dhawan. Now, there’s another exciting update about the actress. If sources are to be believed, Janhvi Kapoor has been offered the lead role in the official remake of her mother Sridevi’s iconic film Chaalbaaz. A reliable insider revealed, “For Janhvi, Chaalbaaz is a lot more than just a film. It’s an emotion. She has jumped at the chance of playing the lead role, but is treading with utmost caution.” The source further added that Janhvi doesn’t want to simply rely on her mother’s legacy. “She is taking opinions from people around for the Chaalbaaz remake. She is excited, but also wary of the inevitable comparisons. She is expected to take a final call by the end of September,” the insider stated. While the details about the producers and directors are being kept under wraps, the possibility of Janhvi stepping into a role once immortalized by Sridevi has already created a buzz. If everything falls into place, audiences may soon see Janhvi Kapoor recreating the magic of Chaalbaaz for a new generation.

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