Abhishek Bachchan Breaks Silence on Separation Rumours with Aishwarya Rai: “Negative News Sells”

After over a year of persistent rumours about a possible separation from wife Aishwarya Rai Bachchan, actor Abhishek Bachchan has finally addressed the media speculation and online trolling that has surrounded his personal life. While the couple has remained silent all this time, Abhishek recently opened up in an Etimes interview about the toll that misinformation and negativity take on public figures and their families. Abhishek and Aishwarya, who tied the knot in 2007 and share a 13-year-old daughter Aaradhya, have co-starred in several films including Guru, Dhoom 2, and Kuch Naa Kaho. Despite widespread speculation about marital discord, they have chosen not to publicly address their relationship—until now. “Negative News Sells” Speaking candidly, Abhishek explained why he chooses not to issue clarifications on rumours: “Even if I clarify something, people will turn it around. Because negative news sells. You’re not me. You don’t live my life.” He added that while such talk once didn’t affect him, things have changed now that he has a family: “Today, I have a family, and it’s very upsetting.” On Social Media Trolling Abhishek also shared how damaging online trolling can be. He recalled a particularly cruel comment that prompted his friend, actor Sikandar Kher, to respond fiercely—publicly posting Abhishek’s address and challenging the troll to repeat the insult face-to-face. “It’s so convenient to sit anonymously behind a computer screen and write the nastiest things… No matter how thick-skinned someone is, it affects them.” Challenging trolls directly, he said: “If you’re going to say it on the internet, I dare you to come say it to my face. If someone does, at least I’ll respect that they have conviction.” Upcoming Film: Kaalidhar Laapata On the work front, Abhishek Bachchan is gearing up for the release of his next film, Kaalidhar Laapata, a thriller directed by Madhumita. Also starring Daivik Bhagela and Mohd. Zeeshan Ayyub, the film is set to premiere on ZEE5 on July 4, 2025. Despite the media glare and speculation, Abhishek’s latest statements show a commitment to protecting his family’s dignity and focusing on work, while calling out the toxic culture of online hate.

Brad Pitt’s F1 Races to Record $144 Million Global Debut, Becomes Apple’s Biggest Box Office Hit

Apple Original Films has officially crossed a major milestone in its theatrical journey. The studio’s high-octane racing drama F1, starring Brad Pitt, has roared past expectations with a massive $144 million global opening weekend — marking Apple’s strongest box office launch to date. A Turbocharged Start Directed by Joseph Kosinski (Top Gun: Maverick), F1 opened across 78 international markets, pulling in $88.4 million overseas and $55.6 million domestically. The film quickly zoomed to the No. 1 spot in 74 territories, outperforming projections and reaffirming Pitt’s global star appeal. Imax and International Success F1 scored $27.7 million globally in Imax receipts, with international markets contributing $11.1 million. The film dominated the format in China, where it raked in $3.8 million via Imax alone—accounting for a striking 43% of the film’s total Chinese box office take. Outpacing Hollywood Benchmarks At current exchange rates, F1 is performing: What It Means for Apple F1’s blockbuster launch signals a major win for Apple’s theatrical ambitions, proving its ability to deliver global cinematic spectacles. With strong critical reviews and rising audience demand, the film is expected to maintain momentum in the weeks to come — especially in territories where Formula 1 enjoys intense popularity. As Apple continues expanding its cinematic footprint, F1 sets a fast-paced precedent for future theatrical projects backed by tech giants entering Hollywood’s big leagues.

Pawan Kalyan’s Hari Hara Veera Mallu Finally Gets a Release Date: Part 1 Arrives July 24, 2025

Telugu superstar and newly appointed Andhra Pradesh Deputy CM, Pawan Kalyan, is all set to return to the big screen with his long-awaited period action drama Hari Hara Veera Mallu. The film is now confirmed to release on July 24, 2025, and marks his first theatrical outing after assuming office. Bobby Deol as Aurangzeb Gets a Powerful Redo Bollywood star Bobby Deol, who recently stunned audiences with his role in Animal, plays Aurangzeb, the primary antagonist in this pan-Indian spectacle. Initially, director Krish Jagarlamudi had helmed the film, but due to repeated delays, he stepped down. The project was later taken over by Jyothi Krishna, son of producer AM Rathnam. Interestingly, Bobby Deol’s role was initially scrapped when Jyothi Krishna came on board. But after witnessing his fierce screen presence in Animal, the filmmakers rewrote and expanded his character, adding a backstory, dramatic confrontations with Pawan Kalyan, and fresh action sequences. “Bobby was thrilled to shoot the new portions and he has absolutely killed it,” said director Jyothi Krishna, confirming that Bobby’s Aurangzeb will now be a key highlight of the film. Film to Release in Two Parts Hari Hara Veera Mallu narrates the story of a lesser-known Telugu freedom fighter, Veera Mallu, played by Pawan Kalyan, who rebelled against the Mughal Empire during Aurangzeb’s reign. The film blends patriotism, historical fiction, and grand-scale action. Journey of Delays Finally Ends Originally launched in 2020, Hari Hara Veera Mallu has seen three postponements over the years due to production challenges, scheduling issues, and Pawan Kalyan’s political commitments. With the release now locked, expectations are sky-high for this long-in-the-making epic. Box Office Buzz: With its revised narrative, enhanced villain arc, and Pawan Kalyan’s political prominence, Hari Hara Veera Mallu is poised to be one of the biggest Telugu releases of 2025.

Paresh Rawal Confirms Return to Hera Pheri 3, Calls Rift with Team a ‘Non-Issue’

Veteran actor Paresh Rawal has officially confirmed that he is back on board for the much-anticipated Hera Pheri 3, putting an end to speculation and concern among fans. In a candid conversation on Himanshu Mehta’s podcast, Paresh addressed the earlier reports of his exit from the film and the alleged controversy surrounding the franchise. “There Was No Controversy” Rawal dismissed all claims of conflict within the team, saying: “Nahi, controversy kuch nahi hai (There’s no controversy). When people have loved something so much, you have to be extra careful. It is our responsibility towards the audience… Mehnat karke unko do (Work hard and give them what they deserve).” He emphasized the importance of collaboration and mutual effort, adding that the team has resolved all issues and is now aligned creatively. The Trio Is Back Fans of the original trilogy can now rejoice as Paresh confirmed that he, Akshay Kumar, and Suniel Shetty will reunite for the third installment. “Pehle bhi aane hi waali thi (The film was always going to happen), we just had to fine-tune ourselves a bit. Akshay, Suniel, Priyadarshan — we’ve all been friends for years and understand each other’s creative process.” Fallout and Reconciliation Earlier this year, Paresh Rawal’s exit from Hera Pheri 3 had sparked outrage online. His departure was reportedly so serious that Akshay Kumar, also a producer on the film, took legal action, filing a case against Paresh after he returned his signing amount with 15% interest. The episode marked a significant moment of uncertainty for the franchise. However, that seems to be water under the bridge now, with all parties committed to delivering a film that lives up to the expectations set by its iconic predecessors. The Legacy of Baburao Paresh Rawal’s portrayal of Baburao Ganpatrao Apte (Babu Bhaiya) remains one of Indian cinema’s most beloved comic characters. His performance in Hera Pheri (2000) and Phir Hera Pheri (2006) defined a generation of comedy lovers. With Priyadarshan back in the director’s chair for the third film, the expectations are sky-high. About the Hera Pheri Franchise Fans can now breathe easy — the trio is back, and Baburao will return to the big screen.

Shefali Jariwala’s Sudden Death Linked to Low Blood Pressure; No Foul Play Suspected

Actor Shefali Jariwala, 42, tragically passed away on Friday night, with initial investigations pointing to a sudden drop in blood pressure as the likely cause of death. Mumbai Police have stated that no foul play is suspected at this stage, though they are awaiting the post-mortem report from R N Cooper Hospital in Juhu to confirm the exact cause. Jariwala reportedly collapsed at her Andheri residence and was rushed by her husband, television actor Parag Tyagi, to Bellevue Multispeciality Hospital, where she was declared dead on arrival. Preliminary assessments by doctors suggest a possible cardiac arrest triggered by hypotension (low blood pressure). Police revealed that the actor had been observing a fast on Sunday for a Satyanarayan Pooja held at her home. According to her husband’s statement, Shefali collapsed after consuming food prepared the previous day, though no signs of food poisoning or external injuries were observed. During their investigation, officers recovered two boxes containing anti-ageing, skin glow, and vitamin tablets from her home. Her family confirmed that she had been self-medicating without a doctor’s prescription, but insisted she had never experienced adverse effects from them previously. The Andheri police have registered a case of Accidental Death (ADR) and recorded statements from her husband and family members. Final rites were conducted by the family on Saturday. “There are no indications of foul play. We are waiting for the post-mortem report to proceed further,” a senior police officer stated. Shefali Jariwala rose to fame with the hit music video “Kaanta Laga” and had a steady presence in television, including reality shows. Her untimely death has left the entertainment industry and fans in deep shock.

Vishnu Manchu’s Kannappa Faces Piracy Blow Days After Release; Makers Had Warned of Stolen VFX Drive

Actor Vishnu Manchu, who stars in and co-produces the ambitious mythological action-drama Kannappa, has raised serious concerns over rampant piracy of the film, which released in theatres on June 27, 2025. Taking to X (formerly Twitter), Vishnu revealed that over 30,000 pirated links of the film have already been taken down, calling the development “heartbreaking.” The film, directed by Mukesh Kumar Singh and produced under the banner of veteran actor Mohan Babu, tells the story of Thinnadu, a warrior who transforms into a devoted follower of Lord Shiva. The pan-India cast includes Akshay Kumar as Lord Shiva, Mohanlal as Kirata, and Prabhas as Rudra, with Kajal Aggarwal and Preity Mukundhan playing key roles. Theft Incident Before Release Alarmingly, the piracy news follows an earlier security breach. Just ten days before the film’s release, the makers filed a police complaint over the theft of a hard drive that contained a crucial VFX-heavy action sequence. The drive was reportedly stolen in transit while being shipped from Hive Studios, Mumbai, to the production headquarters. At the time, the team suspected foul play aimed at leaking content or sabotaging the film’s release. Box Office & Reception Despite the challenges, Kannappa had a decent theatrical opening, collecting ₹9 crore on day one, with Telugu occupancy at nearly 56%. By the end of the opening weekend, it had amassed ₹23.75 crore across five languages — Telugu, Hindi, Tamil, Kannada, and Malayalam. Critical Response Reviews for Kannappa have been mixed. A review in The Hindu described the film as “overpopulated and underwritten,” despite its impressive cast. While Sarath Kumar and Mohan Babu were praised for their performances, critics noted that Vishnu Manchu delivered an emotional climax but struggled with consistency throughout. The review highlighted that the film’s attempt at grandeur compromised emotional depth and cultural resonance, stating: “In striving for grandeur, it forgets to tell the story that matters.“ Industry Concerns With piracy continuing to plague high-budget Indian films, especially those with heavy VFX work and pan-India ambitions, Kannappa‘s case underscores the vulnerability of digital assets during production and post-production stages. The incident has also reignited discussions about tightening security measures and expediting legal frameworks to tackle digital piracy. As Kannappa enters its second week, industry watchers will be closely monitoring its box office momentum, especially in light of these setbacks and how effectively the makers can control the piracy spread.

The Family Man Season 3 Teaser: Manoj Bajpayee Returns, Jaideep Ahlawat Joins the Action

Amazon Prime Video has finally dropped the much-awaited teaser for The Family Man Season 3, offering fans a thrilling one-minute glimpse into what promises to be the most explosive season yet. The teaser traces the evolution of Srikant Tiwari (played by Manoj Bajpayee) from 2019 to 2025, teasing a high-octane mix of action, espionage, and emotion. Srikant’s Dual Life: From Spy to “Life Coach” Opening on a quirky note, the teaser shows Srikant introducing himself as a “Life and Relationships Counsellor”—much to the dismay of his wife Suchitra (Priyamani), who responds with an eye-roll. The humor quickly gives way to chaos as the teaser cuts to intense visuals of gunfights, explosions, and covert operations—reminding fans that Srikant is far more than an ordinary family man. New Faces and Big Revelations The teaser also gives brief yet impactful glimpses of Nimrat Kaur in an undisclosed role, adding another layer of mystery to the plot. But what really stole the show was a blink-and-miss appearance by Jaideep Ahlawat, whose intense eyes behind a black cloth had fans buzzing. “Jaideep Ahlawat! From protagonist in Paatal Lok to antagonist in The Family Man S3! Can’t wait!” one fan wrote.Another remarked, “Desi Winter Soldier,” drawing comparisons to Marvel’s brooding assassin. This marks a reunion of sorts, as both Ahlawat and Bajpayee previously appeared in Gangs of Wasseypur (2012), though they never shared screen space. What to Expect in Season 3 Season 3 sees the return of creators Raj & DK, who also direct this season along with Suman Kumar and Tusshar Seyth. The writing team, including Sumit Arora on dialogues, sets the stage for an intense geopolitical thriller, with Srikant facing off against enemies both foreign and domestic. With stakes higher than ever, and the introduction of formidable new antagonists, Season 3 promises to raise the bar in India’s streaming universe. Release Date No official release date has been announced yet, but with the teaser generating immense hype, an update is expected soon. Verdict: The teaser delivers everything fans hoped for—humor, action, mystery, and a tantalizing glimpse of new characters. The Family Man Season 3 is shaping up to be a must-watch.

‘Squid Game’ Season 3 Review: Brutal, Bold, and Satisfyingly Final

Netflix’s global phenomenon Squid Game returns with its third and final season—and from the very first six minutes, it’s clear the streaming giant had confidence in its most-watched show ever. That early preview confirmed a major relief: Player 456, Seong Gi-hun (Lee Jung-jae), is alive—setting the stage for a nerve-wracking final chapter. Opening Glimpse and Returning Players After the shocking betrayal by the Frontman (Lee Byung-hun), who murdered Gi-hun’s best friend, only 60 players remain. Among them are compelling returnees and unforgettable new characters: The final games are bigger, bolder, and far more dangerous. With a swollen prize pool and desperate survivors, the line between humanity and depravity disappears entirely. The Baby and the Bizarre A dramatic subplot involves the birth of player 222’s baby—a moment teased in the official trailer with the sound of an infant crying. Though meant to heighten the emotional stakes, the baby is oddly portrayed as a low-maintenance prop, lacking realism. While its presence symbolizes innocence in a corrupted world, it occasionally feels forced and implausible. Meanwhile, two terrifying figures from earlier seasons—Young-hee, the robotic girl from Red Light, Green Light, and her male counterpart Chul-Su—return for a game that’s as deadly as it is symbolic, invoking both nostalgia and new terror. Performances and Payoff The acting ensemble is once again exceptional. Lee Jung-jae continues to anchor the show with gravitas, while Park Sung-hoon and Yim Si-wan shine in their respective complex roles. The final season leans heavily into psychological torment and moral ambiguity, and every actor rises to the occasion. Director Hwang Dong-hyuk infuses the season with personal themes—economic despair, class inequality, survival instinct—all wrapped in high-stakes drama. The tension escalates with every game, culminating in a finale that is shocking, satisfying, and heartbreakingly relevant. Final Verdict Rating: ★★★★☆ (4/5) Squid Game Season 3 delivers a gripping, emotionally intense conclusion that pushes its characters—and audience—to the edge. While not every narrative choice lands (particularly the baby subplot), the storytelling, performances, and production design elevate this finale into must-watch television. It’s a brutal, genre-blending masterclass in survival drama that secures Squid Game’s place in TV history. Watch it if you’re ready for one last deadly game.

Kannappa Movie Review: A Mythological Misfire Disguised as a Big-Budget Spectacle

Kannappa, directed by Mukesh Kumar Singh and fronted by Manchu Vishnu, sets out to be an ambitious mythological epic but ends up as a chaotic, over-glamourised costume pageant. Set against the picturesque backdrops of New Zealand pretending to be ancient India, the film’s visuals and production value feel lavish—but only in budget, not in execution. The story traces the transformation of Tinnadu (played by Vishnu), a tribal warrior and atheist, into the devoted Kannappa who offers his eyes to Lord Shiva. While this should have been a soul-stirring tale, the film trips over its shallow storytelling, stilted acting, and jarring inconsistencies in tone. The opening number, ‘Srikala Hasti’, featuring Vishnu’s daughters Ariaana and Viviana, immediately sets a tone of theatrical awkwardness that never quite leaves. Vishnu’s son Avram, playing a younger version of the protagonist, delivers lines in a polished Anglo accent—an oddity considering the 2nd-century setting. These choices highlight the film’s biggest flaw: it feels less like a cohesive story and more like a vanity project staged for family showreel purposes. Despite a stacked cast including Akshay Kumar, Mohanlal, Prabhas, Kajal Aggarwal, and Mohan Babu, the film fails to utilise their potential. Most stars deliver brief cameos with minimal impact—blink and you’ll miss Prabhas, despite his powerful presence as Rudra. Mohanlal’s performance, although sincere, is buried beneath clunky costumes and disjointed editing. Preity Mukundhan brings some spark as Nemali, a warrior princess, but even her strength is undermined by outdated gender tropes and makeup that wouldn’t look out of place in a soap commercial. Her character arc is particularly weakened by poorly conceived scenes that mimic moments from Baahubali but lack the emotional punch or visual flair. The film’s production suffers from a lack of polish despite its grand scale. From underwhelming art direction to impractical tribal costumes that look fresh from a beauty parlour’s “bridal makeover” menu, nothing ever lets the viewer suspend disbelief. And as the film awkwardly jumps between spiritual awakening and tribal warfare, it never settles into a consistent genre or mood. What Kannappa does get right is its music. The songs are surprisingly effective, adding a much-needed emotional undertone. However, the strength of the soundtrack can’t compensate for the film’s narrative shortcomings and directionless storytelling. In conclusion, Kannappa feels like a school play with a billionaire’s budget. Meant to be a mythological epic, it instead becomes an exercise in excess and ego. Watch it only if you’re curious to see how far wigs and wind can go in ruining a moment—or if you enjoy unintentional comedy dressed up in divine robes.

‘Maa’ Movie Review: Kajol Shines in a Fantasy Horror Let Down by Weak Execution

Set in the eerie village of Chandrapur in West Bengal, Maa explores an ancient and disturbing superstition—female children born into certain families are destined for sacrifice. The plot follows Shubankar (Indraneil Sengupta), who had distanced himself from his cursed village life, living peacefully with his wife Ambika (Kajol) and daughter Shweta (Kherin Sharma). However, his return to Chandrapur after his father’s death leads to his own mysterious demise. Following this tragedy, Ambika arrives in the village with her daughter to sell their ancestral bungalow. What begins as a property matter quickly spirals into a dangerous confrontation with age-old beliefs and sinister forces. As she unravels the disturbing legacy, the film poses compelling questions—Is the superstition real, or is there something darker at play? Can Ambika protect her daughter from a terrifying fate? The emotional core of Maa—a mother’s love and fierce resolve—offers some impactful moments. Kajol is in top form, transitioning effortlessly from a gentle, grieving woman to a fierce protector. Her performance is the backbone of the film, especially during the pre-climax and final act, which are some of the movie’s strongest portions. Additionally, the infusion of myths and village lore adds intrigue to an otherwise familiar story. However, the film suffers from a lack of originality and a sluggish pace, particularly in the first half. The story feels dated in both structure and tone, making it difficult for audiences to stay engaged. Pacing issues and unnecessary scenes further dilute the impact, and though the second half picks up, its momentum is short-lived. On the technical front, director Vishal Furia puts heavy emphasis on horror elements and visual effects, which unfortunately leads the story astray. While the background score supports the mood effectively, the cinematography and editing do little to elevate the overall experience. In conclusion, Maa is a fantasy horror film with a powerful central performance by Kajol but let down by uninspired storytelling and uneven execution. Fans of the genre may find a few redeeming qualities, but for the most part, the film struggles to leave a lasting impression.

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