Category: Entertainment

In a landmark announcement for Indian animation and mythology lovers, Hombale Films, in collaboration with Kleem Productions, has officially launched the Mahavatar Cinematic Universe (MCU) – a decade-spanning animated franchise based on the ten incarnations of Lord Vishnu. The cinematic universe will unfold through seven major animated films, beginning with “Mahavatar Narasimha” in 2025 and concluding with “Mahavatar Kalki Part 2” in 2037. The ambitious lineup aims to blend mythology with cutting-edge animation, releasing in 3D and five Indian languages. 🔱 Mahavatar Cinematic Universe: Full Release Calendar The first film, Mahavatar Narasimha, will showcase the epic tale of Lord Vishnu’s half-man, half-lion incarnation who descends to destroy evil and protect his devotee, Prahlad. According to the makers, each film will explore a distinct era and incarnation, capturing the grandeur and spiritual depth of Indian mythology. Hombale’s Vision for Epic Storytelling Hombale Films, known for producing massive hits like KGF and Kantara, shared their excitement on X (formerly Twitter), stating: “The possibilities are endless, and we’re pumped to see our stories roar to life on screen. Buckle up for an epic cinematic ride! #HombaleFilms proudly presents the #MahavatarCinematicUniverse, through breathtaking animation envisioned and produced by #KleemProductions.” With the Mahavatar Universe, the studio is aiming to set new benchmarks in Indian animation, storytelling, and global representation of Hindu mythology on the big screen. Stay tuned as Mahavatar Narasimha prepares to roar into theatres on July 25, 2025.

With just 50 days left for the release of War 2, Yash Raj Films has kickstarted the countdown by unveiling a fiery set of character posters, including a jaw-dropping look at Kiara Advani in full action mode. The much-anticipated spy thriller, starring Hrithik Roshan, Jr. NTR, and Kiara Advani, is set to hit theatres worldwide on August 14, 2025, in Hindi, Tamil, and Telugu. Kiara’s Bold Spy Universe Debut Kiara’s transformation has left fans buzzing. Seen in a black crop top, leather jacket with rolled-up sleeves, and combat-ready leather pants, she exudes both grit and glamour. Complete with combat boots and a weapon in hand, her intense stare locks viewers in – a clear signal that she’s not here to play second fiddle. The poster’s impact is amplified by its sleek, moody design – all high-contrast visuals and shadowed tension, perfectly fitting the YRF Spy Universe’s signature style. This marks Kiara’s debut in the spy franchise, and from the looks of it, she’s ready to steal scenes alongside her powerhouse co-stars. Countdown to a Spy-Action Epic War 2, directed by Ayan Mukerji, is a direct continuation of the hit 2019 film War, and it sits within the ever-expanding YRF Spy Universe that also includes Pathaan, Tiger 3, and more. This time, the stakes are higher and the action more explosive, with IMAX screenings confirmed for maximum spectacle. A high-voltage trailer is expected to drop soon, kicking off the final promotional blitz. With War 2, YRF is pulling out all stops – combining stardom, scale, and a richly built espionage world. Expect high-tech warfare, global missions, and emotionally charged face-offs when the film lands this Independence Day weekend. In Theatres August 14, 2025 Whether you’re in it for Hrithik vs. Jr. NTR, the global espionage thrills, or Kiara’s action-packed debut – War 2 is shaping up to be 2025’s biggest Bollywood blockbuster.

Amid swirling rumours about her personal life, especially speculation linking her with actor Vijay Varma following his reported breakup with Tamannaah Bhatia, Fatima Sana Shaikh has set the record straight. During the trailer launch of her upcoming film ‘Aap Jaisa Koi’, the actress confirmed that she is currently single and humorously added, “No one is there. No good guys. They exist only in films.” On Love, Equality, and Relationships The trailer event also gave Fatima a chance to reflect on the theme of love and equality, which is central to Aap Jaisa Koi. She shared her views on what makes a healthy relationship: “The idea of equality of love is where two people respect each other, listen to one another, and compromises are made by both. But when you come into a partnership, you work towards the relationship without losing yourself.” Excited to Work with R. Madhavan Fatima expressed excitement over working with R Madhavan in Aap Jaisa Koi. She called the story “honest” and appreciated the opportunity to explore a “layered character” in a romantic film. “Who wouldn’t want to work with Madhavan? I was so excited about working with him.” Upcoming Projects After Aap Jaisa Koi, which will release digitally on Netflix on July 11, Fatima is gearing up for the theatrical release of ‘Metro… In Dino’, a spiritual sequel to the 2007 classic Life In A… Metro. The film features an ensemble cast including Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Konkona Sen Sharma, Pankaj Tripathi, Neena Gupta, and Anupam Kher, and will release a week later in theatres. She will also share screen space with Vijay Varma in the romantic drama ‘Ul Jalool Ishq’, which wrapped shooting last year. With multiple exciting projects and a grounded outlook on relationships, Fatima is clearly channeling her focus on her craft and meaningful stories.

With Kannappa set to hit theatres globally on June 27, 2025, the makers of the highly awaited Telugu mythological fantasy film have released a public caution notice warning against defamatory attacks and intentional trolling. The film, based on the legendary devotee of Lord Shiva, stars Vishnu Manchu in the titular role and features a host of big names in cameo appearances. Taking to the official X (formerly Twitter) handle, the team behind Kannappa posted a stern statement titled “Public Caution Notice” along with a warning: “Misuse, distortion, or defamatory acts against the film or its stakeholders will be legally challenged.” A Message for Critics and Trolls The notice emphasized that Kannappa has been made responsibly and holds all lawful clearances for its global release. The filmmakers urged critics to watch the film first, understand its intent, and offer constructive feedback, rather than engaging in biased or vindictive commentary. “We respectfully request all critiques to watch the film first, appreciate its substance, understand the intent and then comment on it with responsibility, rather than succumbing to premeditated biases or vendetta-fuelled commentary,” the statement read. Legal Rights Reserved The team further clarified that while they respect freedom of speech, defamatory or malicious commentary falls outside the protections of Article 19 (1)(a) of the Indian Constitution. Any intentional reputational harm to the film or its key individuals will be met with appropriate legal action. They also cited a ruling by the Hon’ble Delhi High Court, which has granted protection to the personality and publicity rights of Dr. Mohan Babu and Vishnu Manchu, key figures in the film. The notice warns that unauthorized usage, misrepresentation, or defamation of their image may lead to serious legal consequences. “Any dilution or tarnishment of their persona, image or distinct attributes… may invite consequences under the present direction from the Hon’ble Court as well as under applicable laws,” the statement added. Star-Studded Mythological Epic Directed with grandeur and featuring elaborate visuals, Kannappa boasts a powerful cast including Mohan Babu, R. Sarathkumar, and Madhoo, with special appearances by Akshay Kumar as Lord Shiva, Mohanlal as Kirata, Prabhas as Rudra, and Kajal Aggarwal as Goddess Parvati. With its ambitious storytelling rooted in Hindu mythology and devotional themes, the film aims to engage a pan-Indian audience and set a new benchmark in mythological cinema. As anticipation builds, the makers have made it clear: creative freedom will be defended, but malicious intent will be challenged.

In a deeply emotional and candid interview with the BBC, singer-actor Diljit Dosanjh opened up about his profound connection with Punjab and the global representation of Punjabi culture. The interview comes at a tense moment for the star, who is facing backlash in India over his upcoming film Sardaar Ji 3, which features Pakistani actor Hania Aamir. The film is scheduled to release overseas on June 27. Diljit, visibly moved during the conversation, addressed criticism that he only focuses on Punjab and avoids speaking about India. “I don’t want it to seem like I’m doing anything for Punjab. I’m just doing my job. Whatever is happening is not in my control. I am Punjabi, what can I say?” he said, adding, “I’m working for myself. I’m a very selfish guy.” He also offered a philosophical reflection on life and criticism. “When someone hates me, I like to think that there is probably something still inside me that deserves to be hated. When I become a better person, I will not be hated anymore,” he said. Speaking with pride, he called Punjab a land of resilience and talent. “Perhaps Punjab is blessed, but perhaps it is also cursed,” he said. Clarifying that representing his roots was not a political stance, Diljit emphasized that it was a matter of personal identity. He shared how his international appearances—at Coachella, on The Tonight Show with Jimmy Fallon, and the Met Gala 2025—were all part of his dream to bring Punjabi culture to the global stage. The Met Gala, in particular, held deep significance for him. Recalling how he envisioned the look in his vanity van, he said, “I cried when I first had the vision… I wanted to honour my Punjabi culture.” He wore a cape with the map of Punjab and Gurmukhi script, calling it “not about Diljit, but about Punjab going to the Met Gala.” Diljit also criticized Cartier, accusing the French luxury brand of stealing the Maharaja of Patiala’s iconic necklace. He said he asked Cartier to let him wear the historic necklace for the Met Gala, but the brand declined, claiming it was at an exhibition. “So we had a replica made,” he said. “I wanted to look like a raja. That necklace was ours, and they took it.” Addressing the controversy surrounding Sardaar Ji 3, Dosanjh explained that the decision to release the film internationally was taken by the producers, not him. He clarified that the film was shot well before the Pahalgam terror attack and urged critics to understand the context before passing judgment. Despite the backlash, Diljit remained steadfast in his mission: “The Punjabi language is ancient. It is due some respect. There is a whole story there.” His message was clear—he may be a global star, but his soul remains firmly rooted in Punjab.