Fourth Policeman Killed as Gunfight Continues in Kathua, Jammu and Kashmir

A fourth policeman’s body was spotted on Friday using a drone near the site of an ongoing gunfight in the remote forested area of Kathua district, Jammu and Kashmir. Officials reported that the clash, which began on Thursday, has already claimed the lives of three policemen and three terrorists. The security forces, comprising the Army, Central Reserve Police Force (CRPF), and Special Operations Group (SOG) of Jammu and Kashmir Police, resumed their operations at daybreak after a night halt. The focus remains on sanitizing the Safiyan area, retrieving the bodies of the deceased, and locating any remaining terrorists. Intense Firing and Explosions Mark Second Day of Operation For the second consecutive day, heavy gunfire and loud explosions echoed through the dense forests. Security personnel cautiously advanced toward the targeted area, as intelligence suggested that two more terrorists were likely holed up there. The officials initially presumed these terrorists to be dead, but drone surveillance failed to confirm the sighting of their bodies. The operation is concentrated near Jakhole village in the Ghati Juthana area of Rajbagh, where the joint security forces are moving with extreme caution. Authorities believe the terrorists recently infiltrated from across the International Border in the Hiranagar sector. However, it remains unclear whether this group is the same that earlier managed to escape a cordon in the Sanyal forest of Hiranagar. Tragic Losses Among Security Forces The gunfight took a tragic turn on Thursday when three suspected Pakistani terrorists belonging to the banned Jaish-e-Mohammad (JeM) outfit were neutralized. In the same encounter, three policemen lost their lives, while a fourth officer was reported missing. The missing policeman’s body was discovered on Friday morning. Adding to the casualties, five policemen, including a Sub-Divisional Police Officer (SDPO) of DSP rank, were reportedly trapped near the encounter site adjacent to a rivulet covered by dense foliage. The SDPO was later evacuated in an injured condition, while three of his personal security officers were found dead. Three other injured policemen were admitted to Kathua hospital, where their condition is reported to be stable. Two Army personnel also sustained injuries during the clash. Terrorist Movement and Initial Encounter The operation began after a group of terrorists was intercepted on Sunday evening at a ‘dhok’—a local nursery enclosure—in Sanyal village, near the International Border. Security forces, including the Army, National Security Guard (NSG), Border Security Force (BSF), CRPF, and police, launched a massive search operation using advanced surveillance equipment. Despite their efforts, the terrorists managed to evade the cordon and later surfaced near Jakhole, approximately 30 km from the initial encounter site. During the search, authorities recovered significant evidence from the Hiranagar encounter site, including four loaded M4 carbine magazines, two grenades, a bulletproof jacket, sleeping bags, tracksuits, food packets, and materials for constructing improvised explosive devices (IEDs). Situation Remains Tense as Operations Continue As the gunfight rages on, security forces are determined to neutralize any remaining threats. The death of four brave policemen has cast a shadow over the operation, but officials remain resolute in their mission to safeguard the region from terrorist infiltration and violence.

Salman Khan Confirms Films with Sanjay Dutt and Sooraj Barjatya; ‘Tiger Vs Pathaan’ Not Happening Soon

Bollywood superstar Salman Khan has confirmed that he is reuniting with Sanjay Dutt for an upcoming film. While keeping the details under wraps, Salman revealed that the film will be “rustic and next level,” hinting at a grand-scale action entertainer. An official announcement is expected soon. Salman to Reunite with Sooraj Barjatya In addition to his film with Sanjay Dutt, Salman also confirmed that he is set to collaborate once again with filmmaker Sooraj Barjatya. Known for delivering classics like Maine Pyar Kiya, Hum Aapke Hain Koun…!, and Hum Saath Saath Hain, this reunion has already generated excitement among fans. The film is expected to go on floors after the release of Sikandar. ‘Tiger Vs Pathaan’ Put on Hold Amid speculation about the highly anticipated crossover Tiger Vs Pathaan, Salman clarified that the project is not happening at the moment. Fans had been eagerly awaiting this face-off between Salman and Shah Rukh Khan in the YRF Spy Universe, but it appears they’ll have to wait longer. ‘Sikandar’ Set for Eid 2025 Release Before these upcoming projects, Salman Khan will be seen in Sikandar, which is set to release on March 30, 2025, on the occasion of Eid. Directed by A.R. Murugadoss, the film features Rashmika Mandanna as the female lead and promises to be a high-octane action thriller.

Marvel Studios Announces Avengers: Doomsday – Production Begins with Star-Studded Cast

Marvel Studios has officially announced that Avengers: Doomsday is now in production. The news, revealed on March 26, was accompanied by an exciting cast announcement, bringing together a mix of returning Marvel Cinematic Universe (MCU) favorites and new additions. A Stellar Lineup of MCU Heroes and Villains Familiar MCU stars reprising their roles include Chris Hemsworth (Thor), Anthony Mackie (Captain America), Sebastian Stan (The Winter Soldier), Paul Rudd (Ant-Man), Tom Hiddleston (Loki), Letitia Wright (Black Panther), Wyatt Russell (US Agent), Simu Liu (Shang-Chi), and Florence Pugh (Yelena Belova). Adding to the excitement, Kelsey Grammer is expected to return as Beast from X-Men: The Last Stand, while the Fantastic Four will also be making their MCU debut in the film. The confirmed lineup includes Vanessa Kirby as The Invisible Woman, Joseph Quinn as The Human Torch, and Ebon Moss-Bachrach as The Thing. The X-Men will have a major presence as well, with James Marsden (Cyclops), Ian McKellen (Magneto), Patrick Stewart (Professor X), Rebecca Romijn (Mystique), and Channing Tatum (Gambit) all joining the ensemble. Newcomers and Surprising Returns The film will also introduce Thunderbolts star Lewis Pullman as Bob/Sentry and Danny Ramirez as Falcon. Additionally, Tenoch Huerta is set to reprise his role as Namor. One of the biggest surprises is the return of Robert Downey Jr. to the MCU—not as Tony Stark/Iron Man, but as the infamous Dr. Victor von Doom. This shocking twist was first unveiled at San Diego Comic-Con in July 2024, leaving fans eager to see how the iconic actor brings the legendary villain to life. Russo Brothers Return to Helm the Epic Saga Adding to the excitement, the Russo Brothers—who previously directed Avengers: Infinity War and Avengers: Endgame—are back to direct Avengers: Doomsday. Their return signals a major reunion of the MCU’s biggest stars and filmmakers, setting the stage for another massive crossover event. Release Date Confirmed Marvel Studios has officially slated Avengers: Doomsday for release on May 1, 2026. With an ensemble of heroes, mutants, and villains, along with the return of the Russo Brothers, the film is shaping up to be one of the most ambitious and highly anticipated projects in MCU history.

Ram Charan Unveils Peddi First Look on His 40th Birthday; Fans Go Wild

Ram Charan marked his 40th birthday today (March 27) with a special surprise for his fans—the first look posters of his much-anticipated film Peddi (RC16). Directed by National Award-winning filmmaker Buchi Babu Sana, Peddi is a pan-Indian project that promises a gripping narrative. The film stars Janhvi Kapoor as the female lead, alongside an ensemble cast featuring Shiva Rajkumar, Jagapathi Babu, and Divyendu Sharma. The first-look posters have taken social media by storm. In one image, Ram Charan appears unrecognizable with long hair, an untamed beard, and an intense gaze as he lights a cigar, exuding unmatched swag. The second poster showcases him holding a worn-out cricket bat while standing in a village stadium illuminated by floodlights, hinting at a fierce and powerful storyline. Sharing the posters, Ram Charan wrote, “A fight for identity. RC16 is Peddi. A Buchi Babu Sana film. An AR Rahman musical.” The reveal sparked an outpouring of excitement from fans and fellow actors alike. Ram Charan’s cousin, actor Varun Tej Konidela, dropped multiple fire emojis in response to the intense posters. Fans flooded the comments section with birthday wishes and anticipation for the film, with one user declaring, “All records will be broken,” while another simply stated, “Boss on fire.” Earlier, on Janhvi Kapoor’s 28th birthday (March 6), the makers had unveiled her first-look poster from Peddi. In the image, Janhvi is seen smiling while holding a baby goat in her arms, exuding warmth and charm. Sharing the poster, director Buchi Babu Sana wished the actress and expressed his excitement for her role, saying, “Loved working with you and I can’t wait for everyone to see your terrific character on screen.” Presented by Mythri Movie Makers and Sukumar Writings, Peddi is produced by Venkata Satish Kilaru under the banner of Vriddhi Cinemas. With Ram Charan’s electrifying transformation, an intriguing storyline, and AR Rahman’s musical genius, Peddi has already set high expectations among moviegoers.

Indian Censors Block Acclaimed Film Santosh Over Portrayal of Police and Social Issues

Indian film censors have refused to approve the release of Santosh, a critically acclaimed film by British-Indian filmmaker Sandhya Suri, citing concerns over its depiction of misogyny, Islamophobia, and police brutality. Set in North India, Santosh follows a young widow who joins the police force and investigates the murder of a Dalit girl. The film, which debuted at Cannes and was the UK’s official Oscar entry, has won widespread praise for its bold storytelling. However, the Central Board of Film Certification (CBFC) has blocked its release, demanding extensive cuts that the filmmakers deemed “impossible” to implement without compromising the film’s essence. Suri expressed disappointment, calling the decision “heartbreaking,” especially since the script was initially approved for filming in India without objections. Despite support from major Indian distributors, the film now faces an uncertain future in its home country.

BJP Expels Basanagouda Patil Yatnal for Indiscipline; Leader Alleges Political Targeting

The Bharatiya Janata Party (BJP) has expelled senior leader and former Union Minister Basanagouda Patil Yatnal from the party for six years, citing repeated instances of indiscipline. The decision was announced on Wednesday by the party’s Central Disciplinary Committee, following a review of his response to a show cause notice issued on February 10. In response, Yatnal took to social media, claiming that he was being punished for speaking out against dynasty politics and corruption within the party. He alleged that his expulsion was orchestrated by vested interests to silence his demands for reforms and the development of North Karnataka. Yatnal has been a vocal critic of former Karnataka Chief Minister B.S. Yediyurappa and his son, B.Y. Vijayendra, who currently heads the BJP’s Karnataka unit. He previously accused the Yediyurappa government of financial irregularities amounting to ₹40,000 crore during the first wave of the COVID-19 pandemic. Despite his removal, Yatnal vowed to continue his political journey, asserting that he would not be deterred from his fight against corruption and authoritarianism. His expulsion marks a significant development in Karnataka’s political landscape, potentially influencing BJP’s internal dynamics in the state.

India-US Trade Talks Begin in Delhi, Trump Administration Seeks Collaborative Approach

As India and the United States commenced their first in-person trade agreement negotiations in New Delhi on Wednesday, US trade officials clarified that India would not be treated like China, Mexico, or Canada regarding tariffs. The discussions aim to lay the foundation for a Bilateral Trade Agreement (BTA), with a roadmap expected to be finalized by autumn 2025. The meeting comes ahead of former US President Donald Trump’s reciprocal tariffs taking effect on April 2, reigniting trade tensions with China, Canada, and Mexico. However, officials emphasized that India’s trade concerns are primarily tariff-related and are being resolved amicably. The three-day negotiations are led by India’s Commerce Ministry Additional Secretary Rajesh Agarwal and US Assistant Trade Representative Brendan Lynch. The framework for structured negotiations is expected to be finalized by Friday. Union Finance Minister Nirmala Sitharaman is likely to visit Washington in April to further trade discussions, reinforcing India’s commitment to strengthening economic ties with the US. In February, Prime Minister Narendra Modi and President Trump set an ambitious target to boost bilateral trade from $200 billion to $500 billion by 2030.

Tamil Nadu Assembly Passes Resolution Urging Centre to Withdraw Waqf (Amendment) Bill, 2024

The Tamil Nadu Legislative Assembly on Thursday (March 27, 2025) unanimously adopted a resolution urging the Union government to withdraw the Waqf (Amendment) Bill, 2024, arguing that it was against the interests of Muslims in the country. The resolution was supported by all political parties, including the AIADMK, while the BJP, which opposed it, staged a walkout before the voting. Chief Minister M.K. Stalin, who moved the resolution, stated that the Constitution granted religious groups the right to practice their faith, and that it was the duty of a democratically elected government to safeguard these rights. He criticized the proposed amendments, asserting that they would severely impact the Muslim minority and called for the complete withdrawal of the Bill. BJP member Vanathi Srinivasan defended the Centre’s move, claiming that the amendments were aimed at addressing irregularities in the management of Waqf properties and ensuring better representation for women and the backward sections of the Muslim community. However, Law Minister S. Regupathy countered, alleging that the Joint Parliamentary Committee (JPC) had ignored the views of certain members, labeling the Bill as an “economic assault on the Muslim community.” DMK members A. Raja and M.M. Abdullah, who were part of the JPC, were reportedly not given an opportunity to fully express their views on the proposed changes. AIADMK leader S.P. Velumany backed the resolution, while PMK leader G.K. Mani suggested that the Bill should only proceed if the Centre could build a consensus among stakeholders. Despite the BJP’s opposition, the resolution was passed with unanimous support from the rest of the Assembly.

Kunal Kamra Receives Massive Financial Support Amid Controversy Over Eknath Shinde Roast

Comedian Kunal Kamra’s supporters, both in India and abroad, have rallied behind him with a surge of financial contributions following his alleged roast of Maharashtra Deputy Chief Minister Eknath Shinde. Viewers have donated amounts ranging from ₹40 to ₹10,000 in India, along with contributions in various foreign currencies, collectively exceeding several lakhs. Many fans are urging Kamra to start a fundraiser, vowing to cover any legal expenses he may face due to his fearless comedy. A user on X (formerly Twitter) highlighted the overwhelming support, stating, “Someone donated $400 (~₹37,000)!! #KunalKamra’s new show really touched many souls. Never saw these many people donating on a YT video even though Kunal never asked for donations.” Kamra, who has 2.5 million YouTube subscribers, has been receiving significant support through YouTube’s Super Thanks feature, which allows fans to donate between ₹40 and ₹10,000. The controversy erupted after Kamra, during a show at Mumbai’s Habitat studio, performed a parody of Bholi Si Surat (from Dil To Pagal Hai), using the term gaddar (traitor) to mock Shinde for his 2022 rebellion against Uddhav Thackeray. This act led to backlash from Shiv Sena workers, who vandalized the Habitat studio. While Shinde distanced himself from the attack, he defended his party workers, stating, “Every action has a reaction,” and questioned who had given Kamra a supari (contract) to target him. Following the vandalism, the studio also faced a demolition drive over alleged building code violations. Habitat later announced its temporary closure, issuing a statement clarifying that it does not control artists’ content but has been unfairly targeted for hosting performances.

Vinod Kumar Shukla’s Literary Odyssey: Defying Time with Dazzling Hope

A few days ago, I had the breathtaking honor of meeting Vinod Kumar Shukla at his unassuming abode in Chhattisgarh—a sanctuary of simplicity, tucked far from the blinding glare of literary stardom, radiating a quiet, mesmerizing charm. The air there was steeped in humility, his words sparse yet brimming with profound wisdom and a piercing sensitivity that could rend the soul. Today, March 25, 2025, as I etch these lines, a seismic announcement reverberates through the ether—Shukla, the tireless titan of Hindi literature, has been crowned with India’s loftiest literary accolade, the 59th Jnanpith Award. At 88, he stands as the 12th Hindi maestro and the first from Chhattisgarh to seize this dazzling honor, a tribute to his “simplicity” and “sensitivity,” as proclaimed by the Bharatiya Jnanpith committee. Yet, beneath this splendid triumph lurks a man locked in a heart-wrenching duel with time, his spirit tethered to the unfinished symphonies of his craft. His voice, raw and resonant, slashes through the veneer of literary pretense like a thunderbolt. “I’ve seen a universe, heard its whispers, felt its pulse, yet written so little,” he once confessed, words that still echo in my heart with a haunting, splendid ache. “When I ponder how much I yearned to write, it feels like an ocean remains uncharted.” These aren’t mere words—they’re daggers, plunging deep into the soul, the anguished cry of a genius racing against mortality, his pen trembling under the weight of untold tales. “While I breathe, I long to finish what’s left, but perhaps I’ll never complete it,” he said, his voice splintering with regret, a sound as fragile as a fading breath. This isn’t just reflection—it’s a soul-shattering plea to outrun time’s relentless march. Born in 1937 in Rajnandgaon, Shukla’s life is a mesmerizing tapestry of paradoxes. His mother’s voice, reciting Bengali literature aloud, sowed the seeds of poetry in his tender heart, yet a failure in his 12th-grade Hindi exam spun his destiny into a mind-blowing twist. “Had I not stumbled, I’d be mending bodies or forging bridges,” he chuckled once, a revelation that still sends shivers of awe down my spine. Imagine—a healer or builder confined to ink and paper, yet within that confinement, he birthed an entire cosmos! At 20, an encounter with the literary colossus Gajanan Madhav Muktibodh fanned his poetic flame into a roaring blaze. Soon, his words graced the pages of Pustak Kriti, and he pursued a master’s in agriculture in Jabalpur. Agriculture and poetry—one nurtures the earth, the other the soul. Isn’t that a splendid metaphor too exquisite to ignore? Shukla’s literature is a ferocious rebellion against bombast. In Naukar ki Kameez, he binds a clerk’s existence in the crushing chains of bureaucracy; in Khilega Toh Dekhenge, he lets a village’s quirks pirouette in whimsical splendor. Deewar Mein Ek Khirki Rehti Thi, a tender serenade to young love, remains my heart’s cherished melody. A friend once whispered, “His effortless grace is his might,” and those words sank into my very marrow. Yet, his poetry rewrites the grammar of Hindi literature. A writer rightly marveled, “Shukla redefined its diction.” His 1992 gem Sab Kuchh Hona Bacha Rahega lingers in my mind—a melody of hope amid despair, a balm for shattered spirits. Since 1965, the Jnanpith had anointed just 11 Hindi luminaries before him. Shukla’s victory heralds a dazzling dawn—Chhattisgarh’s raw genius stepping into the spotlight. Critics murmur his obscurity stems from his seclusion, but I see a breathtaking defiance—a vow to capture the heartbeat of the ordinary. “I write when something beckons me,” he once said. “The first line summons the next; purpose eludes me.” Herein lies his excellence—writing as vital as breathing, not a ladder to fame. Great minds laud this path. “A writer’s duty is to save civilization,” a thinker once thundered. Shukla does just that, preserving humanity in the tales of clerks, teachers, and villagers. A professor told me, “His stories voice the voiceless,” while another sees a humanistic vision in his work—an insight now priceless to me. Yet, time ticks with ruthless glee. “I don’t know how to write faster,” his lament mirrors my own fears. The Jnanpith salutes his artistry, but what of the unwritten? The stories locked in his aging mind? A poet mused, “Literature is news that stays news.” Shukla’s creations are that—eternal, outliving his final breath. Reflecting on that meeting—his weary frame, his word-drenched soul—I’m left with a bittersweet pang. This award is a crown, yes, but also a stark reminder of time’s tyranny. His pen may falter, yet his spirit soars in every line. His life teaches me to see deeply, hear keenly. So, as this March evening fades, I pledge—not to his end, but to the undying flame flickering in Chhattisgarh’s quiet corner. Dr. Suresh Kumar Mishra ‘Uratript’, Renowned Litterateur

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