Diljit Dosanjh Exits No Entry 2 Citing Creative Differences

Singer‑actor Diljit Dosanjh has stepped away from Anees Bazmee’s comedy sequel No Entry 2 after failing to see eye to eye with the creative team, Filmfare has reported. A source told the magazine that Dosanjh had initially been “very excited” to share the screen with Varun Dhawan and Arjun Kapoor, but recent discussions left him unable to “align with the film’s creative ideas,” prompting his departure. No Entry 2 is being directed by Bazmee—who also helmed the 2005 original—and produced by Boney Kapoor. When approached for comment, Bazmee said only that he was “not able to speak about the matter right now” and suggested contacting Kapoor, who has yet to respond publicly. The sequel is expected to feature Varun Dhawan and Arjun Kapoor in the lead roles, while Tamannaah Bhatia is reportedly in talks for a part echoing Bipasha Basu’s cameo from the first film. None of these casting details have been officially confirmed. Released in 2005, the original No Entry starred Salman Khan, Anil Kapoor and Fardeen Khan as married men whose lives spiral into comic chaos after a friend introduces them to a seductive stranger. The ensemble also included Lara Dutta, Esha Deol, Celina Jaitly and Bipasha Basu. No Entry 2 had initially been eyed for a 2025 release, but with cast changes now under way, an updated production schedule and release date remain to be announced.

Aamir Khan and Rajkumar Hirani Reunite for Dadasaheb Phalke Biopic Amid Jr NTR–Rajamouli Buzz

Bollywood superstar Aamir Khan is set to reunite with acclaimed filmmaker Rajkumar Hirani for a biopic based on the life of Dadasaheb Phalke, widely revered as the Father of Indian Cinema. This marks their third collaboration after the iconic hits 3 Idiots (2009) and PK (2014), and promises a cinematic tribute to one of India’s most influential cultural pioneers. Interestingly, the announcement comes just a day after media reports revealed that Jr NTR may also be stepping into Phalke’s shoes in a separate biopic directed by SS Rajamouli. According to those reports, Jr NTR is expected to undergo a “major transformation” for the role, indicating a potentially large-scale project in the making. As for the Aamir Khan–Rajkumar Hirani film, a press release confirmed that filming will begin in October 2025. Aamir will start preparations for the role after the release of his upcoming movie Sitaare Zameen Par, scheduled to hit theatres on June 20. The film will portray Phalke’s extraordinary journey set against the backdrop of India’s freedom struggle, chronicling how he overcame immense odds to lay the foundation of the world’s largest indigenous film industry. The script has reportedly been in development for the past four years, with Hirani, his longtime collaborator Abhijat Joshi, and writers Hindukush Bharadwaj and Avishkar Bharadwaj working on the screenplay. Phalke’s grandson, Chandrashekhar Srikrishna Pusalkar, has extended his full support to the project, contributing valuable anecdotes from his grandfather’s life. The film’s period look and setting have already been conceptualized through AI-powered designs by a Los Angeles-based VFX studio, ensuring visual authenticity. Dadasaheb Phalke, born Dhundiraj Govind Phalke, was a visionary who established Phalke Films Company in 1912. His seminal work, Raja Harishchandra (1913), is recognized as India’s first feature-length silent film. Over a filmmaking career spanning nearly two decades, Phalke directed more than 90 feature films and 27 short films. Some of his other significant works include Lanka Dahan, Shri Krishna Janma, and Kaliya Mardan. His wife Saraswati Phalke also played a vital role, assisting in costume design and on-set catering. With two major biopics in the works, Dadasaheb Phalke’s legacy is set to be rediscovered by a new generation of filmgoers through the lenses of two of India’s biggest film industries — Bollywood and South Indian cinema. 4o

Final Destination: Bloodlines – Death’s Gruesome Game Gets a Haunting Family Twist

The Final Destination franchise has always been a macabre celebration of freak accidents and fatal premonitions — and with Bloodlines, the sixth installment, the death train rolls on with unrelenting flair. At first, it’s business as chillingly usual: ordinary objects become instruments of doom, and Death’s shadow creeps around the edges of seemingly mundane moments — a sip from a glass, a trampoline bounce, a stomp on a glass dance floor, or a coin tossed just a little too carelessly. What sets Bloodlines apart, at least initially, is its sharp buildup and a fresh emotional core. The film centers on an extended, racially diverse family that reunites with genuine warmth, only to have their bonds tested as a half-century-old curse resurfaces. The dread is palpable, and the tension coils tightly in the opening act, delivering on the series’ signature anxiety-inducing set-ups. At the heart of the film is Iris, played with eerie sensitivity by Brec Bassinger, who unknowingly triggers the new chain of deathly events during a dream date in the 1950s at the newly-opened Skyview restaurant — a precariously perched glass-and-steel structure 500 feet above the ground. The scene is soaked in unease: gusty winds, clinking glasses, and a dangerously overloaded elevator tease the inevitable, and long-time fans will relish spotting every hint of impending doom. Directors Guy Busick, Lori Evans Taylor, and Jon Watts (who also co-wrote the screenplay) craft a few standout moments that maintain the franchise’s gruesome charm while attempting to add emotional depth. The idea of Death stalking generations of a family introduces a disturbing new layer, giving the kills a more personal, tragic undertone. However, that emotional investment frays as the film progresses. Once the blood starts spilling, the humanity fades, and the plot sidelines key characters — even forgetting a woman who loses her entire family in a matter of days. The kills escalate in creativity and brutality, but the emotional fallout is never fully reckoned with. Bloodlines thrives in its campy, over-the-top death sequences and spine-tingling foreshadowing — staples of the Final Destination legacy. Yet, it also flirts with deeper psychological horror, especially in its quieter moments of grief and denial. It’s these whimpers, not the bangs, that truly unsettle. Ultimately, Final Destination: Bloodlines may not reinvent the formula, but it injects enough fresh dread and familial stakes to keep the franchise very much alive — even as Death keeps coming, coin toss by coin toss.

Laapataa Ladies Star Nitanshi Goel Makes Stunning Cannes Debut Amid Dress Code Row

17-year-old actress Nitanshi Goel, known for her breakout role as Phool in Kiran Rao’s acclaimed film Laapataa Ladies, made her debut appearance at the 78th Cannes Film Festival on Day 3 of the prestigious event. Walking the red carpet in a striking custom black-and-golden Jade gown with a dramatic floor-sweeping tulle train, Nitanshi turned heads with her elegant presence. Completing the look with a sleek ponytail, dewy makeup, and minimal accessories, the young star exuded poise and confidence. Sharing glimpses from her red carpet walk on May 16, she wrote:“Still taking it all in…Grateful, honoured, and so proud to represent a bit of India on this global stage. Walking the red carpet at Cannes felt like a dream — thank you for all the love, always.” However, her stunning gown appeared to be in violation of the festival’s new dress code, which explicitly banned voluminous outfits and floor-length trains. As per the advisory released ahead of the festival’s opening on May 14, such attire could disrupt red carpet traffic and complicate theatre seating. The organisers also prohibited nudity on the red carpet, citing concerns around “decency.” Despite the advisory, several celebrities including Bella Hadid, Heidi Klum, Wan QianHui, and Frédérique Bel have chosen to ignore the restrictions, making bold fashion statements on the red carpet — Nitanshi seemingly among them. In addition to Nitanshi, Indian representation at Cannes this year includes Alia Bhatt, Janhvi Kapoor, Ishaan Khatter, and Karan Johar, who are all expected to make appearances. Veteran actor Anupam Kher attended Day 2 of the festival, while celebrated filmmaker Payal Kapadia, who won the Grand Prix at Cannes last year, has been named a jury member for this edition. Nitanshi’s Cannes debut comes shortly after she won the IIFA Best Actress award for her heartfelt performance in Laapataa Ladies. The 78th Cannes Film Festival, which began on May 14, will conclude on May 25.

Samantha Ruth Prabhu and Raj Nidimoru Spark Dating Rumours Amid Instagram Selfie and Property Buzz

Actor Samantha Ruth Prabhu and filmmaker Raj Nidimoru recently found themselves at the centre of dating rumours after Samantha shared a flight selfie with Raj on Instagram. The post led to widespread speculation about their relationship status, with some reports suggesting that the two were not only dating but also planning to live together. A report by Pinkvilla, citing a source, claimed that Samantha and Raj are considering moving in together and are actively scouting properties. It further mentioned that the director had finalized his divorce from his wife Shhyamali in 2022 and had grown close to Samantha after their collaboration on the Indian version of Citadel. The report also clarified that contrary to circulating images, Raj does not have a daughter; the child he was spotted with is his co-director Krishna DK’s daughter. However, Samantha’s manager dismissed these claims, calling them mere rumours in a statement given to Hindustan Times. The manager chose not to elaborate further, maintaining a guarded stance on the matter. The buzz began when Samantha posted a heartfelt message thanking fans for supporting her recent Telugu horror-drama ‘Subham’. In the post, she also introduced her new production banner Tralala Moving Pictures, expressing excitement about the fresh storytelling journey. Adding to the intrigue, Raj’s ex-wife Shhyamali posted a cryptic message on the same day. Her message read: “I send blessings and love to everyone who thinks of me, sees me, hears me, hears of me, speaks to me, speaks of me, reads of me, writes of me and meets me today.” While she did not mention names, the timing of the post raised eyebrows among fans and media alike. As speculation continues, neither Samantha nor Raj has officially commented on their relationship, leaving fans guessing about the truth behind the rumours.

Cannes 2025 Shakes Up Red Carpet Fashion: Bans Nudity and Voluminous Gowns

In a significant move that could redefine red carpet aesthetics, the 78th Cannes Film Festival has banned nudity and excessive gown volume, aiming to shift the tone of fashion at one of the world’s most prestigious cinematic events. The announcement came via an official document, just 24 hours before the festival’s opening on May 13, 2025. 🔒 No More “Naked Dresses” The new dress code specifically targets the widely popular “naked dress” trend — garments made with sheer fabrics like mesh, lace, and chiffon that create an illusion of nudity. This bold look has been a celebrity staple in recent years, with stars using see-through materials and strategic layering to make daring statements on the red carpet. According to the official Cannes 2025 guideline: “For decency reasons, nudity is prohibited on the Red Carpet, as well as in any other area of the Festival.” This rule doesn’t just apply to completely nude ensembles but also appears to cover partially sheer dresses that give the appearance of nudity. 🚫 Voluminous Gowns Also Under Fire Interestingly, Cannes has also discouraged voluminous gowns, which are typically worn for dramatic flair and photo opportunities. While not explicitly banned, the organizers reportedly requested that attendees avoid large outfits that obstruct pathways or other guests — a subtle push toward more streamlined silhouettes and elegant restraint. 👗 What to Expect on the 2025 Red Carpet With both risqué styles and oversized couture off-limits, this year’s fashion is expected to veer toward refined elegance, modest tailoring, and classic glamour. Think: Designers will now need to reimagine red carpet impact without baring skin or ballooning skirts — a potential renaissance for understated fashion. 🎥 Why the Change Now? The Cannes Film Festival has long been a stage for both cinematic and sartorial drama. But in recent years, there’s been growing criticism about increasingly provocative fashion overshadowing the art of film. This new dress code signals a desire to refocus attention on cinema, while also promoting a more globally palatable standard of decorum amid rising cultural sensitivity. Whether the move is applauded for bringing back grace or criticized for restricting personal expression, Cannes 2025 is sure to spark a fashion conversation like never before.

Shah Rukh Khan Reunites with Siddharth Anand for High-Octane Thriller King, Anil Kapoor Joins as His Handler

After the blockbuster success of Pathaan, Shah Rukh Khan is set to team up once again with director Siddharth Anand for an action-packed spectacle titled King. The film has entered pre-production and is targeting a shoot start between May 18 and 20 in Mumbai. Alongside Khan, the stellar ensemble includes Deepika Padukone—reprising their celebrated on-screen pairing—Suhana Khan, Abhishek Bachchan, Arshad Warsi, and newcomer Abhay Verma in pivotal roles. In a major casting update, veteran star Anil Kapoor will portray Shah Rukh’s handler and mentor, marking another mentor-protégé collaboration after Kapoor’s role in Fighter. The filmmakers plan a 100-day shoot spanning India and Europe, promising globe-trotting backdrops and meticulously choreographed action set-pieces. According to insiders, the script has been tailored for “modern theatrical sensibilities,” with King’s narrative showcasing Shah Rukh as a “raw, rooted assassin” guided by Kapoor’s character. Romantic chemistry between Shah Rukh and Deepika is expected to add emotional depth to the adrenaline-fuelled plot, while Suhana Khan’s significant role marks her bold entry into mainstream Hindi cinema. Sachin–Jigar will compose the songs, complemented by Anirudh’s background score. Slated for release between October and December 2026, King is already one of Bollywood’s most eagerly anticipated action dramas, promising a blend of blockbuster glamour and gritty thrills.

Elnaaz Norouzi Sparks Breakup Rumors with Emotional Instagram Chat—Fans Suspect Gerard Butler

Bollywood and Hollywood fans alike are abuzz with speculation after Kandahar actress Elnaaz Norouzi shared an emotional and cryptic chat screenshot on her Instagram Story, suggesting the possible end of a significant romantic relationship. While the identity of the person she was texting remains officially unknown, fans strongly believe it could be her rumored beau and Kandahar co-star Gerard Butler. 💔 The Emotional Screenshot The screenshot Elnaaz posted shows a raw, deeply personal exchange between her and an unnamed individual, whose name is redacted but marked with a red heart emoji — a detail that caught the attention of her followers. In the conversation: The raw and heartbreaking tone of the conversation left fans concerned and intrigued. 💑 Why Fans Think It’s Gerard Butler Speculation linking Gerard Butler to the mystery person stems from: While neither party ever confirmed a relationship, fans had long suspected something romantic was brewing between the Bollywood beauty and the Hollywood heartthrob. 🚫 No Official Confirmation (Yet) As of now, there is no public confirmation from Elnaaz Norouzi or Gerard Butler regarding a relationship — or a breakup. But the timing and the emotionally charged message have left followers piecing together clues and wondering if this cryptic post marks the end of a secret love story.

Pakistani Celebrities Removed from Bollywood Posters, Streaming Platforms Amid India-Pakistan Tensions

Amid rising tensions between India and Pakistan following the April 22 Pahalgam massacre and India’s retaliatory Operation Sindoor, several Pakistani actors have been removed from Bollywood film posters and music thumbnails on various platforms. The move comes in the wake of a government advisory and growing public sentiment over the escalating cross-border hostilities. Actors Mawra Hocane, Fawad Khan, and Mahira Khan — who have previously featured in popular Bollywood films — have had their images removed from promotional materials across streaming platforms. Hocane no longer appears on the Sanam Teri Kasam (2016) poster on Amazon Music and Spotify, leaving only Harshvardhan Rane visible. Mahira Khan has been erased from the thumbnail of the hit song Zaalima from Raees (2016) on YouTube, which now features Shah Rukh Khan alone. Similarly, Fawad Khan is missing from the Kapoor & Sons (2016) poster on Spotify, with only Alia Bhatt and Sidharth Malhotra shown. This development also follows a heated online exchange between Mawra Hocane and Harshvardhan Rane, after Rane publicly declined to participate in Sanam Teri Kasam 2 if Hocane returned. He cited her recent comments criticizing India’s military actions as a key reason. Hocane responded by accusing Rane of using the situation as a “PR strategy,” prompting him to defend his stance as “common sense” and a response to a personal attack on his country. The controversy intensified after several Pakistani stars, including Hocane, Fawad, and Mahira, condemned India’s air strikes on Pakistani territory carried out on May 7. These operations were part of India’s response to the Pahalgam attack, which left 26 people dead. Hocane labeled the Indian operation as a “cowardly attack,” while Mahira Khan accused India of “hate rhetoric” and “silencing dissent through fear.” Fawad Khan also criticized the air strike, calling for restraint and mourning the loss of innocent lives. Earlier, both Hocane and Fawad had expressed condolences for victims of the April 22 attack, calling it a “horrifying incident” and offering prayers for the affected families. On May 8, India’s Ministry of Information and Broadcasting (MIB) issued an official advisory directing OTT and digital media platforms to remove all Pakistani-origin content, citing national security concerns. Following this, several Pakistani celebrities’ social media accounts — including those of Mahira Khan, Hania Aamir, Atif Aslam, Ali Zafar, Mawra Hocane, and Fawad Khan — were restricted or blocked for Indian users. This series of actions reflects the sharp deterioration in cultural and media ties between the two nations amid heightened geopolitical tensions.

Riteish Deshmukh Celebrates Success of Raid 2 as Film Crosses ₹112 Crore at the Box Office

Riteish Deshmukh is riding high on the success of Raid 2, which has surpassed ₹112 crore at the box office, reaffirming his position as one of Bollywood’s most bankable stars. The film, which features Deshmukh alongside Ajay Devgn, has received strong positive feedback from audiences and critics alike, contributing significantly to its commercial triumph. This marks yet another feather in Deshmukh’s cap, following a string of box office hits such as Total Dhamaal, the Housefull series, Grand Masti, and Ek Villain, all of which have crossed the ₹100 crore milestone. His consistent appeal to a broad spectrum of viewers has made him a reliable figure in commercially successful cinema. A notable factor in the film’s success is the enduring on-screen camaraderie between Riteish Deshmukh and Ajay Devgn. Their past collaborations, including Cash and Masti, were both well-received, and their chemistry continues to resonate with audiences, serving as a proven formula for box office success. Beyond acting, Deshmukh has also made a significant mark in Marathi cinema through his production house, Mumbai Film Company. His contribution to regional cinema has been lauded for promoting fresh talent and bringing compelling stories to the forefront. With Raid 2 adding another blockbuster to his repertoire, Riteish Deshmukh’s multi-faceted contributions to Indian cinema continue to flourish, both on and off the screen.

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